“I found surprising connections between very different works in the exhibition. Several have an ephemeral quality. One striking example is Kathleen Greco’s “In Lieu of Flowers / Carnations.” The materials are listed as “Flower petals, paper.” An ethereal patch of Barbie-pink striations hovers on the paper. Its visual impact evoking both delicacy and boldness, with a wry nod at minimalist and monochromatic traditions. Its conceptual depth unfolds with the title, material and process of creation and raises questions. Are petal pigments fugitive or archival? What compels someone to rub carnation petals over and over? In the context of the 19th century Woodmere mansion, it’s easy to make a connection to Victorians’ use of flowers to convey coded messages.” ~ Sharon Garbe

“Kathleen Greco's partly erased pencil drawing seeks a visual equivalent of John Cage's chance-generated, Zen inspired music.”

“In My Head, In My Body

Kathleen Greco' black-and-white

photograph of a body wrapped in a

sheet, as if trying on a burial shroud.”

Coral Sculpture part of the Pod Worlds installation in the Central Pavilion in the 2019 Venice Biennale: May You Live In Interesting Times

Vertical crochet coral sculpture featured in Artillery Magazine’s Apocalypse Now issue from the Pod World’s installation at the Central Pavilion Venice Biennale.